Product rendering
Import the product model you already have, set it on a studio cove or podium, and path-trace stills, a looping turntable or a video for the listing. Lights, materials and camera stay in one scene you can reopen when the client asks for one more angle.
Stills are physically based renders that converge over seconds to a minute: real reflections, soft shadows and the environment in the glass. Save PNG, JPEG, WebP or EXR, or a PNG with a real transparent background for a cut-out.
Keyframe the platter or the camera, mark the clip as a loop so the last frame does not stutter, and encode one H.264 MP4 instead of a folder of frames.
Start from an infinity cove, a cosmetics podium or a jewelry display with the lights already placed, then swap in your product. HDRI environments and a studio light rig are one click each.
GLB, glTF, OBJ, FBX and USD come in with their hierarchy and materials, and CAD files as STEP, IGES or Rhino 3DM. When the supplied materials are placeholders, the library has metals, plastics, glass and fabrics to drop on.
Every picture on this page is a render of a starter scene that ships with Studio. Open one, swap in your product, and render the same way.
Glass, liquid and metal on a lit podium. Refraction, reflections and contact shadows come out of the path trace, with no compositing afterwards.
Several products on one set, lit once. Change a label color or a cap finish and every bottle in the shot updates on the next render.
Jewelry needs reflections to read as metal and stone. The display stage comes lit for it, so a ring or a pendant looks right on the first render.
Podiums, a backdrop and lights with no product yet. Import yours, set it on the top step, and the lighting is already done.
Why Mixos
Dedicated product renderers such as KeyShot have deeper material libraries, network rendering and years of studio workflow behind them. If your day is print-resolution hero shots for a catalogue of hundreds of products, keep using them.
The overlap is the everyday job: a model from a supplier or a designer, a clean backdrop, two or three lights, a few angles and a short spin for a product page or a pitch deck. Studio does that end to end in a browser, on whatever machine you are at, with no license seat and no render workstation.
Because the scene is saved to your account rather than to one disk, the next round of changes starts where the last one ended: the same lights and the same camera, with a new colorway. Swap a material, render again, export.
Setting up, lighting and previewing renders is free. Saving finished renders and video without a watermark, up to 4K, is part of Pro at $8.99 a month or the one-time $99 license.
Yes. Set the render backdrop to transparent and the still saves as a PNG with a real alpha channel, ready to drop onto a listing, a layout or a composite.
Yes. Animate a turntable or a camera move on the timeline and render the clip as one MP4 (H.264) or as numbered PNG frames. Every frame is a full path trace, so a long clip takes minutes and the tab has to stay open while it renders.
Meshes as GLB, glTF, OBJ, FBX, USD or STL, with the hierarchy, object names and materials intact. CAD files come in directly too: STEP, IGES and Rhino 3DM are turned into meshes on import, so there is no separate conversion step.
For a lot of everyday product shots, turntables and listing images, yes, and it is free to set up and preview. For CAD-heavy pipelines, large material libraries or network rendering, a dedicated product renderer is still the better tool.
A browser with WebGPU: current Chrome or Edge on Mac, Windows, Linux or ChromeOS, or Safari on iPadOS 26 and later. No install and no dedicated GPU required, though a better GPU makes a path-traced render resolve sooner.
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