A branded keyring is a small job with a slow supply chain. Minimum orders, setup fees, a proof to approve and two weeks of waiting, all for an object that costs pennies in material. If there is a 3D printer anywhere near you — your own, a library's, a friend's, or a print service that takes an uploaded file — the whole thing collapses into an afternoon.
What stands in the way is the file. A logo arrives as a picture or a vector, and a slicer needs a closed solid with real thickness. Producing that by hand means redrawing the outline in CAD and extruding it, which is a genuine skill and a large install for a keyring. Here the artwork is separated into flat colour regions in the browser and each region is extruded to a depth you choose.
Two settings decide whether the result is any good. Thickness has to be generous — a keyring gets sat on, dropped and dragged across things, and the version that looks elegantly thin on screen is the version that snaps in a week. The gap between colours has to stay below the thickness, or the layers stop overlapping and the model arrives as loose pieces.
One thing the app deliberately does not do is set a size in millimetres. The model exports at the proportions you designed and you scale it in your slicer, where you can see it against the actual build plate — which is the only honest place to decide how big a keyring should be. Leave room for the hole, and print a first one before you print twenty.